Damien Hirst’s Treasures from the Wreck of the Unbelievable is not an exhibition. It’s a showroom for oligarchs. Comprised of about 190 works, including gold, silver, bronze, and marble sculptures, the show is undoubtedly the most expensive artistic flop in living memory.
Treasures is founded on a compelling concept that has had the life strangled out of it. The exhibition guide details the fictional discovery of an ancient shipwreck off the coast of East Africa in 2008.
We’re told that scuba divers spent ten years recovering incredible finds: coins, weapons, crystals, and monumental sculptures encrusted with corals and other marine organisms. The wreck is attributed to an equally fictional collector, a freed slave named Cif Amotan II, who having amassed a fortune, supposedly loaded a ship (the ‘Unbelievable’) with his treasured collection of “commissions, copies, fakes, purchases, and plunder.”
It’s a brilliant lie, and one that could be enormously fun and engaging. Cif Amotan II is an anagram of “I am Fiction.”
Treasures from the Wreck of the Unbelievable could have been the Blair Witch Project or Nat Tate of fake archeological excavations. Hirst is one of the very few artists with the means to achieve such ends.